藏传佛教行为艺术
[url=http://www.dyyz.org/jiaoshi/hxg/01.htm]http://www.dyyz.org/jiaoshi/hxg/01.htm[/url]这帖我就不复制过来啦,大家点上去看看啦......我就没什么领悟啦,希望大家有啦..... 这么有哲理的帖子不复制过来有点浪费呵，繁华过后一切归于尘土，这并不算是行为艺术，而是佛理，以身说教，呵呵，善哉善哉 [font=宋体]藏传佛教行为艺术[/font]——[font=宋体]生命瞬间[/font] [[font=宋体]转[/font]]
2001[font=宋体]年[/font]2[font=宋体]月[/font]26[font=宋体]日，[/font]Ven. Tenzin Thutop [font=宋体]和[/font]Ven. Tenzin Deshek[font=宋体]二个来自尼泊尔和西藏的和尚，在纽约[/font]
Ackland [font=宋体]的[/font]Yager[font=宋体]画廊将[/font]“[font=宋体]修建[/font]”[font=宋体]一个[/font]“[font=宋体]医学菩萨沙子坛场[/font]”[font=宋体]，来展现亚洲艺术。[/font]
[font=宋体]请大家慢慢看，不要太快了，鼠标移慢一点[/font]
[font=宋体]这是[/font]2[font=宋体]月[/font]22[font=宋体]号开始的情景[/font]
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2[font=宋体]月[/font]26[font=宋体]日[/font]
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2.27
([font=宋体]下面开始绘图，材料是一种用于藏医药的细沙[/font].)
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([font=宋体]佛是万物的起源，是世界的中心[/font])
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[img=500,375]http://www.dyyz.org/jiaoshi/hxg/01.files/image011.jpg[/img] 3.1
([font=宋体]越来越多的人来关注他们的创作[/font].)
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3.2
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([font=宋体]繁华初现[/font].)
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([font=宋体]这一张可以清除的看到，细沙如何汇聚成世界[/font].)
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3.5
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([font=宋体]接下来这一组图片，是围绕在佛周围的芸芸众生，每一种生命都跃然沙上[/font])
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([font=宋体]这个，不知道是否就是人，在佛的眼里，与其它生灵平等。[/font])
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[img=500,375]http://www.dyyz.org/jiaoshi/hxg/01.files/image040.jpg[/img] ([font=宋体]创作工具[/font])
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3.6
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3.7
([font=宋体]佛泽四方[/font])
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3.8
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3.9
([font=宋体]孩子，你是否看到了繁华背后的脆弱？[/font])
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3.12
([font=宋体]近距离观察，清楚地看到沙粒铺垫的厚重质感。[/font])
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([font=宋体]逐步显现的最后的圣堂[/font])
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([font=宋体]象牙塔下的青蛇，不知和白素贞有没有关系。[/font])
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([font=宋体]注意宝塔两端的丝带因沙线颜色差异造成的立体感，叹为观止[/font]!)
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3.14
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3.15
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3.16
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([font=宋体]延续的人生，膨胀的世界[/font])
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([font=宋体]由于光线和角度的原因，观众始终以朦胧和模糊的影子出现，如同世界的旁观者。[/font])
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3.20
([font=宋体]完成的日子终于到来，辉煌的成就，瑰丽的画卷，以一种强迫的姿态占据每一个人的视界和心灵，乃至[/font]
[font=宋体]灵魂。[/font])
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([font=宋体]当一切已趋近完美，人可以做的事情也趋近于无。[/font])
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([font=宋体]微笑的佛像[/font])
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[font=宋体]（精致得难以置信的细节）[/font]
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([font=宋体]工具已经负责了许多[/font])
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([font=宋体]不苟言笑的孩子[/font])
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([font=宋体]自始至终一丝不苟的创作者[/font])
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([font=宋体]完成图，完美的画面，繁华的世界，多看一会儿吧，记住它。[/font])
[img=500,366]http://www.dyyz.org/jiaoshi/hxg/01.files/image097.jpg[/img] ([font=宋体]成功之后的庆祝[/font])
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(ok,[font=宋体]注意看他们在干什么[/font].)
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([font=宋体]看看，周围人们的眼神[/font])
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([font=宋体]这下明白了吧！[/font])
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([font=宋体]及尽繁华，不过一掬细沙。[/font])
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([font=宋体]人们从来没有庆祝过生，但对于消亡，却总是有隆重的仪式。[/font])
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([font=宋体]一切已成昨日残梦，只待追忆。[/font])
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([font=宋体]除去抹不净的回忆，仿佛什么也没有发生过。[/font])
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([font=宋体]最后的一段旅程[/font])
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([font=宋体]记住这个画面。时间仿佛已经停止，一个月的时光凝聚在潺潺流淌的溪水边。远处围观的人群，近处沉[/font]
[font=宋体]思的男子，对于一个世界的消失，做着不同的凭吊和评价。而僧人手中缓缓流逝的细沙，已不再有那惊艳[/font]
[font=宋体]的容貌，那些漫天飞舞的佛，那些欣欣向荣的生命，那些宏伟的庙宇，那些千姿百态的繁华。一切都随风[/font]
[font=宋体]飘入溪水，沉淀，褪色，永不再返。[/font])
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([font=宋体]又或者说，所有的繁华已属于流水，外人不再得见呢？[/font])
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[font=宋体]整个过程将近一个月，每日作画几小时，展出到[/font]6[font=宋体]月[/font]8 [font=宋体]日，然后他们将作品清空，付诸流水。以此象征生命的瞬间。[/font]
[font=宋体] 他们用的沙子好像是藏医所用的一种药物，作画的过程却实在是很震撼，虽然有表演的成分，但依旧觉得了不起。尤其是最后的付诸流水，看画面的时候就觉得生命的短暂易逝，后来看文字介绍，这也是他们的初衷之一。[/font]
([font=宋体]整个作品是为了展现生命的短暂易逝，而最后的结果也证明了这一点，引起了我们的思考。但实际上，它的意义远大与此。[/font]
[font=宋体]从艺术的角度看，整幅图画结构严谨，色彩丰富，借助沙粒这种富有层次感和厚重感的媒介，将宗教的意义表现得十分到位。无论是端坐正中的佛，还是围绕在佛周围的神态各异的生灵，还是围绕在世界周围那一圈缥缈的气，都恰到好处的拥有了各自的神采，又和谐的构成了圆满的世界。更令人叹服的是，这种独特的创作手法限制了太大的改动的可能，因此整个图画是一气呵成，就像僧侣们将自己脑中的烂熟的世界观默写出来一般。[/font]
[font=宋体]而从行为的角度看，僧侣本身的创作过程也契合了图画的意图。漫长的创作，成功后短暂的喜悦，然后是毫不犹豫的毁灭。似乎在告诫我们做事的道理，漫长的付出和坚持，短暂的收获，失去的痛苦。[/font]
[font=宋体]当然，我不知道他们心里有没有痛苦，面对精妙的画卷，竟然能伸出那把刷子，境界的确不一样。[/font]
[font=宋体]但从表情看，周围的观众是痛苦的，那恋恋不舍的眼神说明了一切。[/font]
[font=宋体]我也是痛苦的，于是想把它记住，所以花费了近一个小时来贴这篇日志，希望看到的人，能驻足慢慢地翻看，静静的思考。[/font])
([font=宋体]繁华，不过是一掬细沙[/font])
[img=500,366]http://www.dyyz.org/jiaoshi/hxg/01.files/image097.jpg[/img] 一掬细沙不就像人生吗？ 洗尽铅华，重归于土，呵呵，确实很有哲理 你把我应做的都做了,搞到我好唔负责任甘....[face19] [face19] 辛苦了~~~有一点感悟~~[face12] [quote]原帖由 [i]查无此人[/i] 于 2007-4-10 10:53 发表 [url=http://www.yuanlinbbs.com/redirect.php?goto=findpost&pid=6559&ptid=889][img]http://www.yuanlinbbs.com/images/common/back.gif[/img][/url]
你把我应做的都做了,搞到我好唔负责任甘....[face19] [face19] [/quote]
呵呵，帮你顶下贴了，做斑竹都要负责任的，要注重质量，还有提高帖子的人气啊 [face5] 对....慢慢磨....
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